Yungang Grottoes

The Yungang Grottoes, ancient Buddhist templesXiao Wen that a monk named Tanyao took up the
located near the city of Datong in the Shanxitask of constructing the Yungang Grottoes. Cave
province of China, are excellent examples of rock-cutnumber six is the largest one at the site with a height
architecture. They are also one of the three mostof 20 meters. It contains a 15 meter high column
famous cave clusters or ancient scriptural sites ofdecorated with Buddha statues and carvings.
China, the other two being Longmen and Mogao.Surrounding the pillar on all four sides are 33 panels
The grottoes lie in the valley of the Shi Li river at thedepicting the life story of Sakyamuni.
base of the Wuzhou Shan mountains, and containMost of the caves in the grottoes have been
stone carvings from the 5th and 6th centuries. In allnumbered, making it easier to remember them than a
there are 252 grottoes and 53 caves lining a distancelot of tedious names.
of one kilometer, which have more than 51,000Caves that derserve a special mention in the
Buddha statues and statuettes.Yungang Grottoes are the ones numbered 16, 17, 18,
The caves have been divided into three parts on the19, and 20. This cluster of five caves is called the Tan
basis of their cultural and relic definitions. The easternYao Caves. They are very similar to each other in
part of the caves are dominated by 'Pagodas' whilestyle but are definitely not identical. They all contain
the western caves are much smaller in size withstatues of five emperors by the names of Taizu,
score of niches. The caves that lie in the center ofTaizong, Shizu, Gaozong, and Gaozu, expressing the
these two have front and back chambers separatedtheme that Buddha was the sole emperor.
by hundreds of Buddha statues. The walls of theseWhile the statue in cave 20 is martial and stately, the
caves have been embossed with ancient Chineseone in 19 is thought to be very handsome and
motifs.elegant. The one in 18 is considered to be the most
The construction on the Yungang Grottoes wasdignified and yet the most lifelike.
started in 450 AD and they are a relic of theThe underlying similarity in all the five figures start
Northern Wei Dynasty. Not only did the sculptureswith the thick lips, go on to big noses and slanted
absorb the essence of Indian gandhara Buddhist art,eyes and end with broad shoulders. These depict the
it also drew inspiration from the social norms of theethnic and religious perceptions of the time that the
time and combined the two in perfect harmony.statues were constructed.
It was during the rein of an emperor by the name of